Editors' Introduction
In Spring of 2002, HoW find themselves in London to better understand the transcontinental manifestations of popular culture (particularly in pubs). We are at our table, two pints of stout in front of us, while the DJ spins an impossibly eclectic collection of music. One of us turns to the other and says, “this is quite good”; the other replies, “it’s what I dream about.”
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What Up, Dogma?: Contemporary Rock and Primitive Correctness - John Kimsey
Depending on the moment, rock finds its noble savages among American
blacks; poor Southern whites; the visionary or the insane; hippie
tribalists; eastern mystics; Jamaican Rastafarians; disaffected British
working-class kids; junkies from Seattle; musicians from a monolithic
third world; and--no qualifiers necessary, it would seem--Australians, as well
as anyone or anything Irish. The source changes--about every three weeks--but
the search for the elusive, authentically primitive continues.
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Bono Versus Eminem
- Said Shirazi
The great hypocrisy surrounding Bono today is that he is considered
to be political because of his activism, when he has given up being
political where it really counts, in his songs. When you hear Bono sing
"Elevation" at an NBA half-time show brought to you by NetZero, nothing is
communicated but the most fake and watered-down idea of spirituality. The
net effect really is zero, though I'm sure the day's gross was
substantial.
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Japan Pop!
- Hazel Cameron
Japanese pop stars often go to incredible lengths to forge relationships
with their fans through handshaking sessions, public photo shoots,
correspondence, internet web sites, and chat rooms. They attempt to create
a feeling of togetherness. For example, they often ask for advice from their
fans or offer advice to help others "make sense of the world." In this
way, the pop stars are seen on the same level as their fans rather than above
them; they give the impression that any person has the potential to be
important. Of course, their loyal fans also increase their personal
revenue.
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Nico: Lost in the Land - Part II: Derelict Emotions - Jeff Purdue
Nico could display a bizarre wit in concerts. On one live CD, she
introduces a song this way: "I wrote this song [pause] for Richard Nixon
[long pause] on Halloween [longer pause]. I'd like to dedicate it to
Ronald Reagan."
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